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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
AURELIE DUPONT
FRANCOIS FARGUE meets the Paris Opera etoile
ARMANDE ALTAI
Star Academy’s singing teacher goes on a Dance date to see Giselle
GARY HARRIS
DEBORAH WEISS in conversation with the Royal New Zealand Ballet’s director
ANTONIO CASTILLA
So How Was Your Day?
JASON REILLY
VIKI WESTALL asks the Canadian about his meteoric rise through Stuttgart’s ranks
LETTERS & COMMENTS
from Adam Darius, Tony Devvereux, Amy Waghorn, Mark Lee, Mrs Alison J. Taylor and Lucy Townsend
SUMMER SCHOOLS
The ultimate guide to Summer Schools, Courses, Classes and Workshops
Mayerling
EMMA MANNING defends the ‘ultimate villain’ in Mac Millan’s searing ballet
Americans in Florence
BRUCE MICHELSON wonders if Giorgio Mancini can win over the diehard classicists
Im ZeitStromLand
KATJA WERNER starts in a timeless present, gets catapulted into remnants of romanticism
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EMMA MANNING is taken by a Haiku-inspired premiere in St. Polten
Unzip and Nocturne
DANIEL WALTON on Scapino premieres
DANIEL WALTON on Scapino premieres
A gala to celebrate two choreographers’ centenaries and a glitzy evening to honour a formidable reign
My Kind of Woman
KATJA WERNER compares men seeking stairways to heaven— and follows Stuttgart’s Solo-Tanz Theater Festival finals
Tales of Texas
MARGARET WILLIS sums ups an Australian’s take on Texan folklore in Houston
Dreams
MAGGIE FOYER considers two takes on Shakespeare’s midsummer night romp
Les Antipodes
FRANCOIS FARGUE sifts the gems from the dross in Brest
Karole Armitage - Time is the echo…
Duchy Ballet - Swan Lake
George Piper Dances - Broken Fall
Cork City Ballet - Ballet Spectacular
Paris Opera - Signes
Dance Theatre of Harlem - Three programmes
Gothenburg Ballet - Re: Baroque
Dutch National Ballet - Balanchine 100 Years
Hip - A Freedom of Expression
Peter Boal - Pergolesi, Herman Schmermann, Mopey
Random Dancers - AWOL
Royal Ballet - Romeo and Juliet
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