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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
MARIE-AGNES GILLOT
FRANCOIS FARGUE profiles the Paris Opera premiere danseuse
WIGGERS and VOORINTHOLT
EMMA MANNING catches up with Introdans’ two directors
EDWARD WATSON
MAGGIE FOYER meets the Royal Ballet first soloist
NEW YEAR QUIZ
Lac, Lock and Kontakthof
EMMA MANNING on a landmark debut, a depressing score and a group of feisty over-65s
Doing your own thing
FRANCOIS FARGUE notes a lack of any innovative trend but still finds some pleasure
The Art of Fugue
HILARY SOUL charts the achievements of Martin Schlapfer including his latest ballet to Bach
First Steps
DONALD HUTERA plays the role of the critical mid-wife at new festivals in Oslo and Malta
Texans at the Bolshoi
MARGARET WILLIS reports on the Houston Ballet’ s first performances at the Bolshoi
Tristan, Isolde
EMMA MANNING savours an auspicious beginning in St. Polten
Moving Targets
KATJA WERNER at a two-day conference in Athens
Fluke and Blackbird
MAGGIE FOYER on Mats Ek’ s new piece for Cullberg, and Rambert’ s last programme under Christopher Bruce
Angels and Tsjaikovski, p.i.
DANIEL WALTON rounds up the latest pieces by Introdans and Scapino
The Bolshoi Ballet
Bara’ em Dance Group
The Australian Ballet/West Australian Ballet
Matthew Bourne New Adventures
The National Ballet of China
Robert Hylton/Urban Classicism
Dylan Newcomb
Heiss
English National Ballet
Bark Dance Productions
Irish Modern Dance Theatre
Moscow Chopreographic Academy
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