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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
Nominate a dancer in our first readers’ poll
The Big Rendezvous
with the Paris Opéra étoile turned director and choreographer MARIE-CLAUDE PIETRAGALLA
ENB: THE BEST, THE WORST AND THE UNFORGETTABLE
Fifty years of dancers’ memories
OLYMPIC ARTS FESTIVAL
MICHAEL MONTGOMERY reports on premieres by Sydney Dance Company and Lloyd Newson’s DV8
Being Vegetarian
JOSEF BROWN on food for thought
Teaching in St. Petersburg
ELIZABETH LEA finds dedicated students of all ages
Crisis and Reconstruction
MAGGIE FOYER reports from Knysna on the abrupt closing of South Africa’s national theatre
SUSANNAH YORK
DONALD HUTERA takes the star of stage and screen on a Dance Date
ELVIS COSTELLO
EMMA MANNING asks the singer about his first ballet commission
SABURO TESHIGAWARA
DONALD HUTERA meets the unique Japanese cult hero
Edinburgh 2000
DON MORRIS encounters Diaghilevian fervour at Scotland’s International Festival
ReMembering the Body
JENNINE WILLETT encounters new takes on Nijinsky’s ballets and gets sucked in by Merce
Irek & Friends
EMMA MANNING weighs up the latest programme fielded by Irek Mukhamedov’s company
Tanz in Berlin
KATJA WERNER questions the craze for artistic pilferage but is soothed by Boris Charmatz’s work
York, Giselle and Bournonville
WILLIAM ANTHONY on the Royal Danish Ballet’s first programme of the season
Gothenburg Dance and Theatre Festival
C.O.K.E.
Joaquim Sabate/Dance Company Rubato
Dance Company Nomade~s
Tanz Ensemble Cathy Sharp
Dance Theatre of Harlem
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