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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
The New World
MAGGIE FOYER discovers that Sylvie Guillem is a brilliant comedienne
Doors open at The Lowry
DON MORRIS assesses England’s new theatre complex named after Manchester’s industrial artist
San Francisco Ballet’s Half Dozen
CAITLIN SIMS reports on new works by six young choreographers
Estonians in Zurich & An Englishman in New York
EMMA MANNING savours impressive premieres by Heinz Spoerli and Christopher Wheeldon
Adeline Genée Awards
MAGGIE FOYER selects her winner at this year’s event
Goldberg Variations, Angels That Sing and
A Cinderella Story
ALISON KENT catches a Philip Taylor premiere and Neumeier’s take on Cinders in Munich
(No) Breathing Spaces, Wunderbar and Le Parc
KATJA WERNER questions whether the new BerlinBallett will ever happen
Arcimboldo 2000
DON MORRIS enjoys a substantial banquet in the Hague
Swedish Invention
MAGGIE FOYER enjoys Skånes Dansteater and Norrdans
Jeremy James
A personal reflection by ELIZABETH OLD
Pierre Wyss
CATHY MARSTON meets the choreographer who once made a Clockwork Orange ballet
Linda Jasper
MELANIE NIX meets the Director of the UK’s South East National Dance Agency
The Big Rendezvous: IGOR ZELENSKY
EMMA MANNING interviews the Russian who wanted to be somebody
THE DIAGHILEV LEGACY
The Royal Ballet dances ballets by Nijinsky, Nijinska and Fokine
LES BALLETS DE MONTE-CARLO
CAROL PRATL finds poetry to delight the senses in Monaco
NEW YORK CITY FOCUS
Where to stay, where to take class and what to see this Summer
MARÍA PAGÉS
The fiery flamenco star returns to Riverdance on Broadway
Zbang Dance Company
Saarbrücken Ballett
The Shamans
Shaolin Wheel of Life
Lucinda Childs Dance Company
Paris Opera Ballet School
Cholmondeleys & Featherstonehaughs
Compania Aracaladanza
Cork City Ballet
Petros Gallias & Maria Gorgia
Nuevo Ballet Español
Scottish Ballet
Scapino Ballet Rotterdam
Joaquín Cortés
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