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Editorial
Entre Nous
Letters
Auditions/Jobs
Brief Reviews
European Performance Diary
Last Words
PACO PERÈZ has no time for a salad of flamenco and ballet
WILLIAM FORSYTHE
Choreographer of the 20th Century
GERALD SIEGMUND meets the choreographer responsible for turning ballet on its head
GETTING ON SCREEN
ANITA BELLI explores the openings for choreographers wanting to get their work on screen
WHITE NIGHTS IN KUOPIO
EMMA MANNING at Scandinavia’s oldest dance festival
DANCE INTO THE MILLENNIUM
Innovation or déjà vu? Check out the new season’s offerings from companies and theatres throughout Europe
SWANNING AROUND THE WORLD WITH ENGLISH NATIONAL BALLET
JULIANNE RICE-OXLEY kept a diary of the company’s Swan Lake tour
The Turning World
ANNE GILPIN and ELIZABETH OLD report on the last of the Turning World seasons
K Ballet Company
HIROKO SHINDO catches the first programme by Tetsuya Kumakawa’s new company in Japan
Sweat, Glue and Marital Hell
ASTRID VAN LEEUWEN on three challenging new works by Truus Bronkhorst & Marien Jongewaard, Krisztina de Châtel and Lloyd Newson
Cullberg Ballet, Phillipe Blanchard & MBT
MAGGIE FOYER checks up on the latest offerings in Sweden
Premieres in The Hague, Paris and Toulouse
EMMA MANNING travels miles and survives the rugby fans
Fille, Bernarda and Dance Week
MLADEN MORDEHJ VUCKOVIC and IVA VISAK on recent developments in Croatia
2000 Feet, a Gala and the Kirov’s new Beauty
CAITLIN SIMS on the latest events in Philadelphia and New York
Graham and Streb
DONALD HUTERA weighs up the Americans in London
NDT and White Oak
GEOFFREY WEST savours NDT but is unimpressed by Mikhail Baryshnikov
Ek and Duato in Hamburg
CLAIRE DOMMETT reports on the mixed reception for the Hamburg Ballet’s latest programme
Goodbye Copenhagen
WILLIAM ANTHONY on Maina Geilgud’s final programme for the Royal Danes and spectuates on the company’s future
En los segundos ocultos…
and other works on show in Madrid by MICHELLE MAN
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