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Editorial
Entre Nous
Auditions/Jobs
European Performance Diary
France: Petit's Notre Dame de Paris and Ashton’s Rhapsody
Netherlands: Dutch National Ballet; Djazzex; and Rotterdamse Dansgroep
Re-Orient: And Lo! A Star from the East
Dance Umbrella ‘96
HAROLD KING – and the birth of City Ballet of London
Letter to the Editor
The Latvian National Ballet and the Ostrava Ballet
Ireland: Dublin Theatre Festival
England: Wheeldon’s pas de deux and Bintley’s Sweeties
England Company File
Christopher Gable's Dracula
VLADIMIR MALAKHOV
Austria: Anthony's Slapping Stones in Innsbruck
WILLIAM FORSYTHE
Germany: Forsythe’s Sleepers Guts in Frankfurt
Switzerland: Schlömer's Neuschnee in Troja and Neumeier's Dream
Germany: Sasha Waltz – Ballets Russes in Berlin; Talard's Tightrope -Dancer in Mannheim
Italy: Insurgentas; Les Enfants Terribles; La Marquise von 0…
Spain: Ballet Gulbenkian in Madrid
Brief Reviews
Talkback: If Opera Believes That A Dramatic Director Is Necessary, Why Doesn’t Ballet?
Dance Europe Performance Diary
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